Imagine a candlestick resting on a table in the corner of a dark room, whose flame does not fade, does not flicker, and does not burn out, but perpetually illuminates the corner and draws others towards its light. This everlasting flame is like a teaching of a Doctor of the Universal Church, seeking not to illumine the entirety of the dark room, but keeps the corner of the room illuminated. Similarly, the teachings of the Church Doctors illumine some component(s) of the mysteries of the Catholic faith without trying to plumb the entirety of the mystery of God.
The intersection of Catholicism and education raised important, yet controversial, questions and prompted many discussions in the nineteenth century. Increased freedoms for Catholics in England opened many educational, financial, and societal opportunities. They could attend prestigious universities and finish degrees without professing Protestant oaths or having religious examinations.
Two hundred years ago, on 13 June 1824, the young Fellow of Oriel College, Oxford, who today the Church celebrates as a saint, made his way down the High and St. Aldate’s with his surplice and his MA hood, to be made a deacon of the Church of England in Christ Church Cathedral, the former medieval nunnery and shrine to St. Frideswide until Thomas Wolsey chose it to become Cardinal College in 1525.
The Sisters of Mercy are probably one of the best-known female Catholic congregations, having even entered popular culture; so much so that in 1971 musician and singer Leonard Cohen used their name as a title for one of his songs. Later in 1980 a newly formed rock band also took the name, having been influenced by Cohen’s song. However conflicted anybody might feel about the use of the name in these contexts, it demonstrates the indelible impression that the congregation has made on society in general, in a way that few others have.
Compared to my usual diet of scholarly articles and books, Newman’s writings stood out for what appeared to me as their meandering character. Unlike most contemporary works, Newman does not state upfront what he is going to say and then take the reader through the motions of a demonstration delivered blow by blow. He begins, instead, with a puzzle, or a question, that he brings before his audience; he unfolds his thinking slowly, almost searchingly, from his initial questions; he also frequently refrains from tying up his argument, leaving whatever he said simply to “air” with the reader.
Time to Delay No Longer is, as its subtitle suggests, a true search for faith. In this work, the late Bill Evans (1933–2017) endeavors to recount his conversion to the Catholic faith. His account of conversion centers around a profound systematic analysis of the Catholic Church and its claim towards religious authority.
