Two major pieces of literature on Augustus Welby Pugin (1812–1852), the renowned Gothic Revivalist and Catholic convert who designed Big Ben, the Houses of Parliament, six cathedrals, and more, state, in summary fashion, that Pugin illustrated St John Henry Newman’s Live of the English Saints. The late Professor Margaret Belcher, however, provided a great deal of detail on this subject in the second volume of her The Collected Letters of A.W.N. Pugin, published in 2003. This essay republishes, for the first time since 1914, all eleven of Pugin’s illustrations and does so for the first time ever in a single document.
Time to Delay No Longer is, as its subtitle suggests, a true search for faith. In this work, the late Bill Evans (1933–2017) endeavors to recount his conversion to the Catholic faith. His account of conversion centers around a profound systematic analysis of the Catholic Church and its claim towards religious authority.
Earlier this year, NINS got the chance to sit down with Grant Kaplan and discuss the release of his new book Faith and Reason through Christian History -- Dr. Kaplan provides some helpful insights into the genesis and implications of his book.
“The LORD is with me to the end. LORD, your mercy endures forever. Never forsake the work of your hands! – Psalm 138:8 -- The above verse is one of importance to John Henry Newman. He chose Psalm 138 as the epithet for his younger brother, Charles’s, headstone. Newman’s biographer, Sheridan Gilley, refers to Charles as “the black sheep of the family.”
When I first read the late Fr. John O’Malley’s survey text What Happened at Vatican II (2008), I was struck by a passage in the conclusion. O’Malley gave a tantalizing rundown of the “ghosts” present on the council floor—the popes, theologians, philosophers, and politicians whose lives and legacies had indelibly marked the Catholic world. These voices from the past had shaped, positively or negatively (sometimes both), the work of the council fathers:
Introduced here are three examples of lay women who were deeply influenced by Newman in particular as well as by the greater Oxford Movement. These three women had varying degrees of interaction with Newman personally.
